Max Weber on America, capitalism, charisma, and crumbling states

In 1917, Max Weber said, about the United States, that “it is often possible to see things in their purest form there.” He was talking then about scholarship as a vocation (“Wissenschaft als Beruf“), reflecting on the “Americanization” of German academic life, but it was a broader theme running through his work.

“America Inside Out” is an MA seminar in our program about international perspectives of the United States. Among its texts is Weber’s The Protestant Ethic and the Spirit of Capitalism (1904-1905). That book grew out of a trip to the U.S. in 1904, where, as the American Studies program’s George Blaustein writes in the New Republic, Weber “faced the lurid enormity of capitalism.” Looking upon Chicago (the focus of the BA course Metropolitan America), with its slaughterhouses, the strikes, the multi-ethnic working classes, Weber felt he was looking at “a man whose skin has been peeled off and whose intestines are seen at work.”

Weber theorized the rise of capitalism, the state and its relationship to violence, the role of “charisma” in politics. Again and again he returned, as we still do, to the vocation—the calling—as both a crushing predicament and a noble aspiration. He died 100 years ago, in a later wave of the Spanish flu. It is poignant to read him now, in our own era of pandemic and cataclysm. It might offer consolation. Or it might fail to console.

Read those reflections on the relevance and irrelevance of Weber’s writings in an era of pandemic and political upheaval here: “Searching for Consolation in Max Weber’s Work Ethic,” The New Republic (July 2, 2020). Read them in Dutch translation here: “De onttovenaar van de wereld,” De Groene Amsterdammer 144:25 (June 17, 2020), p. 36-41.

 

Coronavirus and the Medical Humanities

The American Studies program’s Manon Parry is also Professor of Medical History at the Vrije Universiteit Amsterdam. Starting in February 2020, she has taught the Introduction to Medical and Health Humanities. It was clear then that coronavirus would became “a topic we could not ignore in our class,” she noted. Her course materials and her writings about the pandemic are available on the website of the PULSE Network, for medical and health humanities.

Course materials of interest to Americanists include the historian Nancy Tomes’s account of the influenza pandemic, and her history of US health care debates:

Best American Studies MA thesis in the Netherlands: congratulations to our prize-winner!

American Studies graduate Queeny van der Spek has won the 2019 Theodore Roosevelt American History Award (TRAHA). The prize was awarded at the Netherlands American Studies Association’s Amerikanistendag, in Groningen on June 7. The TRAHA winner receives, among other things, a trip to Teddy Roosevelt’s old ranching grounds of North Dakota.

Van der Spek’s thesis, “Hitler’s Gift to America: American motivations to rescue displaced scientists from Europe in the 1930s,” is an account of the actions undertaken by governments, universities, and philanthropic organizations in the United States to aid scientists from Nazi-dominated Europe. She wound together the history of immigration and refugee policy with the history of science. As the jury noted in its report, the thesis “scrupulously explores the reasons underlying American national interest in rescuing displaced European scientists and offers fresh insights into the story of American interwar refugee policies.” Van der Spek “makes a substantial contribution to the existing debate about US’s responsibilities over the fate of European Jews and pinpoints the correlation between science and politics, which rests at the center of her intellectually engaging and historically revealing analysis.”

The TRAHA jury also gave special honorary mention to American Studies graduate Lennart Bolwijn, for his thesis, “Dogma, Romance, and Double-Consciousness: The Dilemmas of the New Negro Generation Through the Travels of Otto Huiswoud and Claude McKay.” Bolwijn followed the Jamaican-born writer Claude McKay and the Suriname-born political activist Otto Huiswoud through Harlem, Jamaica, Suriname, and Moscow, and traced the surprising intellectual orbits of the Harlem Renaissance, black nationalism, and communism. The jury noted the thesis’s “surprisingly large terrain,” and its laudable use of primary sources from the Black Archives in Amsterdam.

Both theses are to be applauded for their ambitious international scope and their archival detail. Queeny and Lennart have done the program proud.

Other recent graduates of the American Studies MA program who have won the award are Renee de Groot (2017) and Martina van Cimmenaede (2016). The prize jury has also given honorable mentions to graduates Roos Maier (2016) and Elisabeth Koning (2014).

The full jury report can be read here.

On blackface minstrelsy in the US, the UK, and the Netherlands

The forthcoming Tijdschrift voor Geschiedenis features an excellent article from the historian Elisabeth Koning, an alum of the MA program in American Studies, which draws on the work begun in her thesis. Koning excavated Dutch translations and adaptations of Harriet Beecher Stowe’s Uncle Tom’s Cabin, and developed a profound yet nuanced argument about the diffusion of American popular culture. She has extended and refined that research here.

Zwarte Piet, een blackfacepersonage: een eeuw aan blackfacevermaak in Nederland [Black Pete, a blackface character: a century of blackface amusement in the Netherlands]

Abstract: In 1847 the Ethiopian Serenaders successfully introduced American blackface minstrelsy to a Dutch public. A few years later the publication of the Dutch translation of Harriet Beecher Stowe’s Uncle Tom’s Cabin (1853) and the subsequent ‘Tom-play’ led white Dutch actors to perform in blackface. Blackface performances functioned not merely as entertainment, but perpetuated a stereotypical white image of black people. During that same period the Amsterdam-based teacher Jan Schenkman published a children’s book including a black servant (St. Nikolaas en zijn knecht, 1850). The servant was known as Black Pete and became established in the Saint Nicolas tradition. In the years to come, Black Pete, generally a white person wearing a blackface mask, leaned heavily on the same elements that made the blackface minstrel dandy type a success: edified clothing, a blackface mask, and antiemancipation humour.

Zwarte Piet en de blackfacetraditie [in Dutch]

James Baldwin, “Stranger in the Village” (1953)

One of my favorite texts to discuss in a seminar is James Baldwin’s “Stranger in the Village,” published in Harper’s in 1953. “From all available evidence no black man had ever set foot in this tiny Swiss village before I came,” Baldwin begins. This is where the MA Seminar “America Inside Out: International Perspectives on the United States” starts: Baldwin’s magisterial essay about America, Europe, and the West, because it both typifies and challenges much that we talk about when we talk about the “American Century.” Its last paragraph rewards quotation:

Baldwin was also a captivating speaker and interviewee. Here he is in a Dutch interview from 1981: